Landscape after Salvator Rosa / Thomas Moran
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©Gilcrease Museum
Title(s):
Landscape after Salvator Rosa; Water Hole; Study after Salvatore Rosa
Creator(s):
Thomas Moran (Artist)
Salvator Rosa (After)
Culture:
American
Date:
1867
Period:
Hudson River School
Materials/Techniques:
graphite and wash with conte crayon on paper
Paper/Support:
Portrait; single-sided
0.342- 0.345 mm
Wove, machine-made, dark cream watercolor paper with a slightly textured surface.
Classification:
Object Type:
Accession No:
02.764
Previous Number(s):
0276.764; 27186
Department:
Not On View
- Height: 10 1/8in. (25.7cm)
- Width: 6 11/16in. (17.0cm)
Creator:
Biography:
"Thomas Moran, landscape painter, etcher, engraver, lithographer. Born February 12, 1837, at Bolton Lancashire (England) accompanied his family to Maryland in 1844, and studied painting with his brother Edward in Philadelphia during the mid-1850. In 1862 the two Moran’s' went to England for further study and came under the influence of Turner. Thomas visited Europe again in the same decade and several times in the later years. His fame rests largely on his large paintings of scenes in the Far West, including Yellowstone Park, Yosemite, and the Grand Canyon of the Colorado. His home was in Philadelphia until 1872 when he moved to Newark (N.J.) and shortly after to NYC. In 1916 he moved to Santa Barbara (Cal.) where he died on August 26, 1926."
Role(s):
Artist
Names (all):
Moran, Thomas
Birth Date:
1837
Death Date:
1926
Nationalities:
American (North American)
Roles:
American painter, 1837-1926
Gender:
male
Note:
Born 12 January 1837; died 25 August 1926. In 1844, Moran and his family settled in Maryland. Moran began his career in the 1850s as a wood engraver in Philadelphia. In the mid-1850s, he studied painting in Philadelphia under his brother Edward Moran. Moran and his brother travelled to England in 1862 to study painting. In the 1860s, Moran also visited France and Italy. In 1871, Moran accompanied the Geological Survey of Yellowstone National Park, Colorado. In 1872, Moran established himself in New York City. In 1916, Moran moved to Santa Barbara, California. Comment on works: Landscapes
Related People:
- Moran, Edward, sibling of - person
American painter, 1829-1901 - Moran, Edward Percy, uncle/aunt of - person
American painter, 1862-1935 - Moran, Mary Nimmo, spouse of - person
American etcher and landscapist, 1842-1899
Creator:
Role(s):
After
Names (all):
Rosa, Salvator
Birth Date:
1615
Death Date:
1673
Nationalities:
Italian (culture or style)
Roles:
Italian painter and engraver, 1615-1673
Gender:
male
Note:
Noted for original artisitic style and subjects, and his extravagant personality. Studied first with Francesco Francanzano, his brother-in-law, later with Ribera and probably with Aniello Falcone. Although he painted figures and other subjects as well, he is best known today for dark, romanticized landscapes and history paintings that had substantial influence from 17th to 19th centuries.
Related People:
- Altham, John, teacher of - person
British painter, active ca.1660 - Avellino, Giulio, teacher of - person
Italian painter, died 1700 - Compagni, Scipione, teacher of - person
Italian painter, ca. 1624-after 1680 - Cooke, Henry, teacher of - person
British draftsman, 1642-1700 - Ghisolfi, Giovanni, teacher of - person
Italian painter, ca. 1623-1683 - Martinotti, Flavio Evangelista, teacher of - person
Italian painter, 1634-1694 - Masturzio, Marzio, teacher of - person
Italian painter, flourished 1650-1674 - Reschi, Pandolfo, teacher of - person
Polish painter, ca. 1640-1696, active in Italy - Torreggiani, Bartolommeo, teacher of - person
Italian painter and sculptor, 1590-after 1674 - Falcone, Aniello, student of - person
Neapolitan painter, 1607-1656 - Ribera, Jusepe de, student of - person
Spanish painter, printmaker, baptized in 1591, died 1652, active in Italy - Fracanzano, Francesco, sibling by marriage of - person
Italian painter, 1612-1656
Notes in the artist's hand; Inscribed by hand in pencil, "from Salvator Rosa in the Brera Gallery, Milan" in upper right on recto; Inscribed by hand in pencil, "after Salvator Rosa [end of text illegible]" in lower right on recto
Signed by hand in pencil, "T.M. 1867" in upper right on recto
Moran, Thomas. Landscape after Salvator Rosa. 02.764. 1867. Tulsa: Gilcrease Museum, https://collections.gilcrease.org/object/02764 (03/21/2019).
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