Chief Apeahtone - Tribe Kiowa / Stephen Mopope
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©Gilcrease Museum
Title(s):
Chief Apeahtone - Tribe Kiowa
Creator(s):
Stephen Mopope (Artist)
Culture:
Native American; Kiowa
Materials/Techniques:
tempera on paper
Paper/Support:
Portrait; one sided
Primary: 0.212- 0.219 mm Secondary: 0.091- 0.094 mm Tertiary:0.295- 0.304 mm
All three supports are machine-made. The top support is a sage green in color (original more vibrant green visible on verso). The painting is located on the wire side. The secondary support is a very thin, pigment coated paper; bright purple in color; smooth calendared surface. The tertiary support was originally a light cream color (now darker cream from light damage). It is the thickest of all three paper and the most rigid. The support are staggered so that the bottom margins are always the largest.
Classification:
Object Type:
Accession No:
02.120
Previous Number(s):
0227.120; 34054
Department:
Not On View
- Height: 11 1/32in. (28.0cm)
- Width: 6 49/64in. (17.2cm)
Creator:
Biography:
Stephen Mopope (1898–1974) was born in Redstone, Oklahoma, the son of George Mopope and Etta (Paukeigope) Mopope. Mopope comes from a long lineage of Kiowa (Cáuigù)1 artists, including the ledger artists Silverhorn (1861–1940; also, Silver Horn) and Charles Oheltoint (1852–1934), and master beadworkers Paukeigope (active late 19th century), his mother, and Keintaddle (1849–1938), his grandmother. As a boy, Mopope attended St. Patrick’s Mission School in Anadarko, Oklahoma. His child name was Ghoo-Lay-Ee, after his paternal grandfather. He traveled to the University of Oklahoma to study painting in 1927 with a group later called the Kiowa Five (and eventually the Kiowa Six), an artist collective under the tutelage of Professor Oscar Jacobson.Mopope was a skilled dancer and flute player, and an active participant in Kiowa societies, and these experiences manifested as subjects in his paintings. As Mopope’s studio practice flourished, his paintings—along with those of other members of the Kiowa Six—were exhibited internationally, and the Kiowa Six had its artistic debut in 1928 at the International Congress for Art Education, Drawing and Applied Arts in Prague. The collective birthed a movement known as the Kiowa Style of painting, also called Oklahoma Style and Flatstyle, which is recognized by its lack of figural shading, and backgrounds that have a shallow or indistinguishable depth of field. The technique echoes the principles of Mopope’s nineteenth- and twentieth-century artist ancestors, including Oheltoint and Silverhorn. The painting style was later taught at historically Indigenous schools, such as Bacone College (Muskogee, Oklahoma) and Santa Fe Indian School (New Mexico).In 1936 Mopope received a commission from President Franklin D. Roosevelt to paint fifteen murals, including Kiowas Moving Camp, in the Anadarko Post Office. Mopope’s solo career as an artist continued for many years after his work with the Kiowa Six. Gilcrease Museum’s collection of Indigenous paintings has extensive holdings by the prolific artist, including late-career works that incorporate realism and modernism into portraiture and landscape. Mopope’s paintings can be found in both private and public collections, including the Philbrook Museum of Art (Tulsa), the Denver Art Museum, and the National Museum of the American Indian (Washington, D.C.).—Jordan Poorman Cocker, Henry Luce Foundation Curatorial Scholar for Indigenous Painting Collection Research, 2021This text was developed from an interview with Kiowa master artist Vanessa Paukeigope Jennings (also called Vanessa Mopope Jennings), Mopope’s granddaughter, by Jordan Poorman Cocker, May 20, 2020_____________________________1 Cáuigù is the correct identity used by the Kiowa Tribe.2 The Gilcrease collection includes a beaded cradleboard (84.633) by Paukeigope.
Role(s):
Artist
Names (all):
Mopope, Stephen
Birth Date:
1898
Death Date:
1974
Nationalities:
Native American
Roles:
Native American painter, 1898-1974
Gender:
male
Related People:
- Kiowa School, The, member of - person/firm/group
Native American painters, active 1910-1940 - Paukeigope, child of - person
Native American beadworker, active late 19th century - Keintaddle, grandchild of - person
Native American beadworker, 1849-1938 - Ohettoint, Charles, nephew/niece of - person
Native American painter, 1852-1934 - Silverhorn, nephew/niece of - person
Native American draftsman, 1861-1940
Notes in the artist's hand; Handwritten notes are present on artwork
Signed by hand in tempera, "Mopope" in lower right on recto
bandanas, beadwork, black, blankets (coverings), blue, buckskin, chieftains, eagle feather bonnets, face paint, Feathers, fringe, green (color), headdresses, Indigenous paintings included in the Henry Luce Foundation 2020-2022 project, Items included in the Henry Luce Foundation 2020-2022 project, Kiowa, Kiowa Five, Kiowa Six, men, orange, pink (color), portraits, red, rosettes, tempera, white (color), yellow
Mopope, Stephen. Chief Apeahtone - Tribe Kiowa. 02.120. Tulsa: Gilcrease Museum, https://collections.gilcrease.org/object/02120 (03/19/2019).
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