Landscape
P: adhered to secondary support, S: 1.028- 0.1029 mm
The primary support is wove, machine-made, artist quality paper, blue in color (blue fibers are visible). The secondary support is a machine-made, low quality board lined with smooth dark cream paper. (same primary and secondary support as 0216.797 mm)
Born 12 January 1837; died 25 August 1926. In 1844, Moran and his family settled in Maryland. Moran began his career in the 1850s as a wood engraver in Philadelphia. In the mid-1850s, he studied painting in Philadelphia under his brother Edward Moran. Moran and his brother travelled to England in 1862 to study painting. In the 1860s, Moran also visited France and Italy. In 1871, Moran accompanied the Geological Survey of Yellowstone National Park, Colorado. In 1872, Moran established himself in New York City. In 1916, Moran moved to Santa Barbara, California. Comment on works: Landscapes
Related People:
Moran, Edward, sibling of - person American painter, 1829-1901
Moran, Edward Percy, uncle/aunt of - person American painter, 1862-1935
Moran, Mary Nimmo, spouse of - person American etcher and landscapist, 1842-1899
Turner dominated British landscape painting throughout the first half of the 19th century. He established a reputation in the Royal Academy, London, as a topographical watercolorist and painter of Sublime and historical landscapes. Turner's body of work includes around three hundred paintings and over twenty thousand drawings and watercolors, the majority of which were given to the English government upon his death. Comment on works: Marines, views
Related People:
Robins, Thomas Sewell, teacher of - person British painter, 1814-1880
Gilpin, Sawrey, student of - person English animal painter, 1733-1807
Monro, Thomas, student of - person English patron and collector, 1759-1833
Beckford, William, the younger, patron was - person English patron and amateur architect, 1760-1844
Pye, John, collaborated with - person English engraver, 1782-1874
Booth, Sophia Caroline, significant other of - person British, spouse of artist, ca.1798-1878
Notes in the artist's hand; Inscribed by hand in ink, "After J.M.W. Turner. R.A. by T.Moran. 1867." in lower left on recto; Inscribed by hand in pencil, "#98" in center on verso
Signed by hand in ink, "T.Moran.1867" in lower left on recto
