"Thomas Moran, landscape painter, etcher, engraver, lithographer. Born February 12, 1837, at Bolton Lancashire (England) accompanied his family to Maryland in 1844, and studied painting with his brother Edward in Philadelphia during the mid-1850. In 1862 the two Morans went to England for further study and came under the influence of Turner. Thomas visited Europe again in the same decade and several times in the later years. His fame rests largely on his large paintings of scenes in the Far West, including Yellowstone Park, Yosemite, and the Grand Canyon of the Colorado. His home was in Philadelphia until 1872 when he moved to Newark (N.J.) and shortly after to NYC. In 1916 he moved to Santa Barbara (Cal.) where he died on August 26, 1926."

Artist

Moran, Thomas

1837

1926

American (North American)

American painter, 1837-1926

male

Born 12 January 1837; died 25 August 1926. In 1844, Moran and his family settled in Maryland. Moran began his career in the 1850s as a wood engraver in Philadelphia. In the mid-1850s, he studied painting in Philadelphia under his brother Edward Moran. Moran and his brother travelled to England in 1862 to study painting. In the 1860s, Moran also visited France and Italy. In 1871, Moran accompanied the Geological Survey of Yellowstone National Park, Colorado. In 1872, Moran established himself in New York City. In 1916, Moran moved to Santa Barbara, California. Comment on works: Landscapes

After

Lorrain, Claude

1604

1682

French (culture or style)

French painter, 1604-1682, active in Italy

male

Claude was a very prolific painter, and was considered the greatest of ideal landscape painters. He was born of peasants Jean and Anne (or Idatte) Gellée in the village of Champagne, then in the independent duchy of Lorraine. Due to an inaccurate inscription, his birth date was long believed to be 1600, but it is now believed to be 1604. His early training is uncertain, but it seems as if he went to Rome at age 13 or so, perhaps as a pastry cook, and then probably went to Naples, where he studied painting. He was highly regarded as an artist. His landscapes depict an image of nature more beautiful and better ordered than nature itself, often including pastoral scenes with shepherds guarding their flocks. He refined the theme, first seen in Venetian painting around 1510, by using light as the principal means both of unifying the composition and of lending beauty to the landscape. His popular works embodied the courtly values of 'high finish' and decorum; among his most important patrons were members of the European nobility and higher clergy. French landscape painter. Comment on works: Landscapes; Marine; Painter.