Print A: Landscape after Rousseau
©Gilcrease Museum
Title(s):
Print A: Landscape after Rousseau
Creator(s):
Mary Nimmo Moran (Artist)
Théodore Rousseau (After)
Culture:
American
Date:
1888
Materials/Techniques:
brown printing ink on paper
Paper/Support:
Landscape; single-sided
0.298- 0.301 mm
Light cream, laid, dandy-roll paper. Ribbed surface with even fiber distribution and horizontal chain lines in transmitted light.
Classification:
Object Type:
Accession No:
14.103a
Previous Number(s):
1426.103A; 29477
Department:
Not On View
- Height: 9 1/2in. (24.1cm)
- Width: 12 3/8in. (31.4cm)
- Height: 4 1/2in. (11.4cm)
- Width: 7 1/2in. (19.1cm)
Names (all):
Moran, Mary Nimmo
Birth Date:
1842
Death Date:
1899
Nationalities:
American (North American)
Roles:
American etcher and landscapist, 1842-1899
Gender:
female
Related People:
- Moran, Thomas, spouse of - person
American painter, 1837-1926
Creator:
Role(s):
After
Names (all):
Rousseau, Théodore
Birth Date:
1812
Death Date:
1867
Nationalities:
French (culture or style)
Roles:
French painter, 1812-1867
Gender:
male
Note:
The unofficial leader of the Barbizon School, Rousseau is most noteworthy because of his plein-air landscape painting and thick brushwork, which strongly influenced the Impressionists. After studying with Joseph Rémond and Guillaume Lethière, Rousseau began traveling to the outskirts of Paris to paint natural surroundings and eventually settled in Barbizon in 1841. While accepted at Salons from 1831-1835, as his work grew more non-Academic he was continually rejected from Salons until the 1850s (giving him the nickname 'le grande refuse'), even while acquiring a strong following of disciples which included Jean-François Millet and Narcisse Diaz. Some of his most important works are Descent of the Cattle (The Hague, Rijksmus. Mesdag), Avenue of Chestnut Trees (Paris, Louvre) and Edge of the Forest at Fontainebleau (Paris, Louvre). Eventually, Rousseau received the Legion d'honneur in 1852, though his work remained controversial to those in the Museum community, who refused to hold a memorial exhibition after his death in 1867. Comment on works: landscapes
Related People:
- Diaz, Emile, teacher of - person
French painter, 1835-1860 - Ortmans, François Auguste, teacher of - person
French painter, 1827-1884 - Pasini, Alberto, teacher of - person
Italian painter, pastelist, and lithographer, 1826-1899 - Potter, Adolphe, teacher of - person
Swiss artist, 1835-1911 - Tillot, Charles Victor, teacher of - person
French painter, 1825-ca. 1886 - Lethiere, Guillaume, student of - person
French painter, 1760-1832 - Rémond, Charles, student of - person
French painter and lithographer, 1795-1875
Signed in plate, "TH. ROUSSEAU" in lower left on recto; Signed in plate, "M.N.M." in lower right on recto; Signed by hand in pencil, "M. Nimmo Moran." in lower left on recto
black, blue, female artist, grasses, hatching, hills, Items included in the Henry Luce Foundation 2020-2022 project, laid paper, landscape (representation), people, pond, reflections, rocks, shadows, shrubs, Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project, trees, woman artist
Moran, Mary. Print A: Landscape after Rousseau. 14.103a. 1888. Tulsa: Gilcrease Museum, https://collections.gilcrease.org/object/14103a (08/15/2017).
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