Series of Prints: The Empty Cradle / Thomas Moran

Essay/Description

Multiple etchings from the same plate are stored in the Gilcrease Museum collections.

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Thomas Moran

Art Item Information

©Gilcrease Museum

Title(s):

Series of Prints: The Empty Cradle

Creator(s):

Thomas Moran (Artist)

Culture:

American

Date:

late 19th century

Period:

Hudson River School

Materials/Techniques:

printing ink on paper

Paper/Support:

dark cream wove Handmade Sweden

Classification:

Prints

Object Type:

Etching

Accession No:

14.410a-c

Previous Number(s):

1426.410a-c

Department:

Art

Not On View

Dimensions

Overall (14.410a):

Height: 17 41/64in. (44.8cm)
Width: 12 1/64in. (30.5cm)

Image (14.410a):

Height: 7 3/4in. (19.7cm)
Width: 5 3/4in. (14.6cm)

Overall (14.410b):

Height: 17 43/64in. (44.9cm)
Width: 11 57/64in. (30.2cm)

Image (14.410b):

Height: 7 3/4in. (19.7cm)
Width: 5 3/4in. (14.6cm)

Overall (14.410c):

Height: 17 41/64in. (44.8cm)
Width: 11 39/64in. (29.5cm)

Image (14.410c):

Height: 7 3/4in. (19.7cm)
Width: 5 3/4in. (14.6cm)

About the Creator(s)

From Gilcrease Museum:

Creator:

Thomas Moran

Role(s):

Artist

From Getty's Union List of Artist Names:

Names (all):

Moran, Thomas

Birth Date:

1837

Death Date:

1926

Nationalities:

American (North American)

Roles:

American painter, 1837-1926

Gender:

male

Note:

Born 12 January 1837; died 25 August 1926. In 1844, Moran and his family settled in Maryland. Moran began his career in the 1850s as a wood engraver in Philadelphia. In the mid-1850s, he studied painting in Philadelphia under his brother Edward Moran. Moran and his brother travelled to England in 1862 to study painting. In the 1860s, Moran also visited France and Italy. In 1871, Moran accompanied the Geological Survey of Yellowstone National Park, Colorado. In 1872, Moran established himself in New York City. In 1916, Moran moved to Santa Barbara, California. Comment on works: Landscapes

Marks and Inscriptions

Inscriptions: Artist's printer notes are present; Handwritten notes are present; Inscribed by hand in pencil, "too much Retrosage" in lower left on recto; Inscribed by hand in pencil, "10 proofs of this" in lower left on recto; Inscribed by hand in pencil, "GMP4841.3" in lower right on verso (14.410a); Notes in the artist's hand; Handwritten notes are present; Inscribed by hand in pencil, "THE EMPTY CRADLE" in lower left on recto; Inscribed by hand in pencil, "10 The Empty Cradle. Pale [illegible] $20.00" in upper left on verso; Inscribed by hand in pencil, "GMP4841.3" in lower right on verso (14.410b); Handwritten notes are present; Inscribed by hand in pencil, "GMP4841.3" upside down in upper left on verso (14.410c)

Signed: Signed in plate with colophon, "TM. 1880" in lower left on recto (14.410a-c); Signed by hand in pencil, "T.Moran." in lower left on recto (14.410b)

Tags and Search Terms

Tags:

American Indian, belts, black, boulders, buckskin, cradleboard, dress, fringe, gray, male artist, mother, Native American, Sitting, trees, women

Cite this Page

Moran, Thomas. Series of Prints: The Empty Cradle. 14.410a-c. late 19th century. Tulsa: Gilcrease Museum, https://collections.gilcrease.org/object/14410a-c (08/15/2017).

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Gilcrease Museum

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Series of Prints: The Empty Cradle / Thomas Moran

Essay/Description

You may be interested in...

Mountain Lake

Print B: The Castle of San Juan de Ulúa, Veracruz, Mexico

Sketchbook 1910 - 1912: Clovelly

Art Item Information

Dimensions

About the Creator(s)

Marks and Inscriptions

Tags and Search Terms

Cite this Page