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Hiawatha & the West Wind
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Sketchbook 1910 - 1912: Lynmouth
Chapel Rocks, Lake Superior / Thomas Moran
Curatorial Remarks
There is a faint line running across the image at about the midpoint, directly below the arch in the rocks. This is probably where two pieces of end-grain wood were joined to give a larger surface area for the image to be drawn. Wood engraving used the smaller end of a piece of wood, and when needed two pieces of wood were joined to provide a larger surface as possibly seen here. Sandra Pauly, Henry Luce Foundation Curatorial Scholar for Moran Collection Research 3.18.22