|
Print G: Twilight, East Hampton |
Mary Nimmo Moran |
American |
14.104g |
printing ink on paper |
|
Print D: Twilight, East Hampton |
Mary Nimmo Moran |
American |
14.104d |
printing ink on paper |
|
Twilight - Small Plate |
Mary Nimmo Moran |
American |
14.70 |
printing ink on paper |
|
Print E: Twilight, East Hampton |
Mary Nimmo Moran |
American |
14.104e |
printing ink on paper |
|
Print E: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72e |
printing ink on paper |
|
Print F: Twilight, East Hampton |
Mary Nimmo Moran |
American |
14.104f |
printing ink on paper |
|
Print F: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72f |
printing ink on paper |
|
Print H: Twilight, East Hampton |
Mary Nimmo Moran |
American |
14.104h |
printing ink on paper |
|
Print G: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72g |
printing ink on paper |
|
This Chic Evening Gown is of White Satin and Golden Net - Metamorphosis |
Thomas Moran |
American |
19.5 |
white gouache and graphite on newsprint |
|
Niagara - From the Canadian Side |
Thomas Moran |
American |
14.422 |
brown printing ink on paper |
|
Carrier of the Sun (Design) |
Elliot Suetopka |
Native American; Hopi |
02.1641 |
watercolor on paper |
|
Sunset, Gulf of Mexico |
Thomas Moran |
American |
02.814 |
watercolor and graphite with white gouache on paper |
|
The Guard |
Thomas Moran |
American |
01.1107 |
oil on canvas |
|
Trouble in the Distance |
Hart Merriam Schultz |
Native American; Blackfoot |
01.1954 |
oil on canvas |
|
Richmond |
Thomas Moran |
American |
02.802 |
graphite and wash on paper |
|
Prayer Altar #2 |
Jimalee Chitwood Burton |
Native American; Cherokee |
01.2189 |
oil (possibly casein) on cardboard on Masonite |
|
At Port Clinton (upper sketch) |
Thomas Moran |
American |
13.707 |
graphite on paper |
|
Legend of Creation, #1 |
Jimalee Chitwood Burton |
Native American; Cherokee |
01.2201 |
oil on canvas attached to board |
|
On the Plateau above Dolores |
Thomas Moran |
American |
02.816 |
watercolor over graphite on paper, heightened with white gouache |