 |
Sketchbook 1910 - 1912: Torquay |
Thomas Moran |
American |
18.19.2 |
graphite on paper |
 |
Southampton |
Thomas Moran |
American |
13.579 |
graphite on paper |
 |
Print B: Landscape after Rousseau |
Mary Nimmo Moran, Théodore Rousseau |
American |
14.103b |
brown printing ink on paper |
 |
Near Los Olivos, California |
Thomas Moran |
American |
13.875 |
graphite on paper |
 |
Print D: Looking Seaward, Long Lane, East Hampton |
Mary Nimmo Moran |
American |
14.106d |
printing ink on paper |
 |
Print A: Study of Scrub Oaks, Amagansett |
Mary Nimmo Moran |
American |
14.81a |
printing ink on paper |
 |
Print H: The Montauk Hills, L.I. |
Mary Nimmo Moran |
American |
14.108h |
printing ink on paper |
 |
Print H: From a Hilltop |
Mary Nimmo Moran |
American |
14.87h |
printing ink on paper |
 |
Sketchbook 1873: Cedar Lake |
Mary Nimmo Moran |
American |
18.21.11 |
graphite on paper |
 |
Lynton |
Thomas Moran |
American |
13.599 |
graphite on Ivorine tissue |
 |
The Altar - Native American Church |
Tennyson Eckiwaudah |
Native American; Comanche |
01.2015 |
oil |
 |
Near Los Olivos, California |
Thomas Moran |
American |
13.876 |
graphite on paper |
 |
Print E: Looking Seaward, Long Lane, East Hampton |
Mary Nimmo Moran |
American |
14.106e |
brown printing ink on paper |
 |
Print B: Study of Scrub Oaks, Amagansett |
Mary Nimmo Moran |
American |
14.81b |
printing ink on paper |
 |
Point Isabel, Florida |
Mary Nimmo Moran |
American |
14.840 |
printing ink on paper |
 |
Print I: From a Hilltop |
Mary Nimmo Moran |
American |
14.87i |
printing ink on paper |
 |
Sketchbook 1873: White Pond |
Mary Nimmo Moran |
American |
18.21.12 |
graphite on paper |
 |
Ruins |
Thomas Moran |
American |
13.601 |
graphite on paper |
 |
Where the Poplar and Pines Meet the Mountains and Sky |
Earl Biss Jr. |
Native American; Apsáalooke (Crow), Ojibwe |
13.3905 |
ballpoint pen on paper |
 |
Landscape after Rembrandt |
Thomas Moran, Rembrandt Harmenszoon van Rijn |
American |
13.877 |
iron gall ink on paper |
