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Tags: Items included in the Henry Luce Foundation 2020-2022 project

3712 Items

1881 | printing ink on paper

Print D: Study of Scrub Oaks, Amagansett

1984 | acrylic on matboard

Kiowa Warriors

November 6, 1923 | pencil on paper

Letter from Marjorie Streeter, a high school girl, to Thomas Moran expressing her admiration

1896 | gelatin silver process

Two newspaper clippings of Thomas Moran's artwork "The Queen of Marjaneh," from the Arabian Nights

1888 | printing ink on paper

Print E: The Haunted House, East Hampton

1993 | ballpoint pen on paper

Warriors under the Moon

1992 | ballpoint pen on paper

Leaning and Crying

1992 | ballpoint pen on paper

Nine Horses Running About before the Storm

tempera on paper

Hoop Dancer

tempera and pen on paper

Indian on Horse

1974 | tempera on matboard

Call of the Great Spirit

1993 | ballpoint pen on paper

Racing Stripes Work Just Fine on Hot Rods Racey Spots Suit Our Needs Just Fine

1976 | tempera on matboard

Blue Vision 3

1920 | tempera and pen on paper

Indian Dancer

August 1, 1873 | graphite on paper

Sketchbook 1873: Pot Rock on the Delaware

late 19th century | graphite on paper

Sketchbook late 19th century: Water, Bridges, Landscapes (2 Sketches)

late 19th century | graphite, wash and white chalk on paper

Sketchbook late 19th century: Duffer No. 2 (Tree & Fence) Duffer No. 1 (2 Trees)

1882 | printing ink on paper

A Hunter's Blockade

1907 | white gouache and pencil on newsprint

Marianne Flahaut as America in 'Aida' - Metamorphosis

late 19th century - early 20th century | pencil on paper

Handwritten three page inventory of Thomas Moran's oils and etchings in Manhattan storage in a notebook