Tags: signatures--artists
| Image | Title | Creator | Culture | Accession # | Materials/Techniques |
|---|---|---|---|---|---|
 |
"Friend Beal" Letter from Charles Russell | Unknown | American | TU2009.39.7609a | gelatin silver process |
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The Bell Mare | Frederic Remington | American | 01.2327 | oil on canvas |
 |
Moonlight | William Robinson Leigh | American | 01.112 | oil on canvas board |
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After Midnight, South Dakota | William Robinson Leigh | American | 01.635 | oil on canvas board |
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John Hoof-Arapaho | Charles Banks Wilson | American | 13.2102 | umber wash and ink on watercolor paper |
 |
Still Life with Skull | Charles Banks Wilson | American | 01.2556 | oil on board |
 |
War Dancer | James Auchiah | Native American; Kiowa | 02.2018 | tempera on paper |
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The Night Herders' Clock | Olaf Carl Seltzer | American | 01.844 | oil on board |
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White Hats | Charles Banks Wilson | American | 01.2559 | oil on canvas |
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How the Boy Medicine Came to the Kiowas | Jimalee Chitwood Burton | Native American; Cherokee | 01.1938 | oil on board |
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Sluicer | Olaf Carl Seltzer | American | 02.1229a-b | watercolor on paper; matboard |
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Acee Blue Eagle | Bettina Steinke | American | 01.2099 | oil on canvas |