 |
East Hampton |
Thomas Moran |
American |
13.522 |
graphite on paper |
 |
Sketchbook late 19th century: Trees & Building |
Mary Nimmo Moran |
American |
18.6.26 |
graphite on paper |
 |
Sketchbook late 19th century: Bridges & Buildings |
Mary Nimmo Moran |
American |
18.6.8 |
graphite on paper |
 |
Sketchbook 1878 - 1880: Farm Buildings |
Thomas Moran |
American |
18.16.36 |
graphite on paper |
 |
Natural Canyon Castle |
Thomas Moran |
American |
02.929 |
black and brown ink on paper |
 |
East Hampton |
Thomas Moran |
American |
13.553 |
graphite on paper |
 |
East Hampton |
Thomas Moran |
American |
13.569 |
graphite on paper |
 |
Colosseum, Rome |
Thomas Moran |
American |
02.863 |
watercolor on paper |
 |
Havana. |
Thomas Moran |
American |
02.807 |
watercolor and graphite with white gouache on paper |
 |
Indian inside kiva |
Fritz Scholder |
Native American; Luiseño |
14.832 |
ink on paper |
 |
Welcome strangers |
Charles Banks Wilson |
American |
13.2161 |
ink and pen on paper |
 |
Keams Canyon, Arizona |
William Robinson Leigh |
American |
01.133 |
oil on canvas board |
 |
Interior of Fort Laramie |
Alfred Jacob Miller |
American |
02.1067 |
watercolor on paper |
 |
Wichita Agency, Indian Territory in 1869 |
Vincent Colyer |
American |
02.1376 |
watercolor on paper |
 |
Cherokee Seminary near Tahlequah, Indian Territory |
Vincent Colyer |
American |
02.1373 |
watercolor on paper |
 |
The Coming and Going of the Pony Express |
Frederic Remington |
American |
01.2333 |
oil on canvas |
 |
Zuni, New Mexico |
William Robinson Leigh |
American |
01.82 |
oil on canvas board |
 |
Jersey City |
William Robinson Leigh |
American |
01.279 |
oil on canvas board |
 |
Edge of Town |
Charles Banks Wilson, Frankie Van Johnson |
American |
1427.775 |
lithograph on wove paper |
 |
New York and New Jersey |
William Robinson Leigh |
American |
01.280 |
oil on canvas board |
