 |
Venetian Seaport, Veracruz |
Thomas Moran |
American |
01.1109 |
oil on canvas |
 |
Carson's Men |
Charles Marion Russell |
American |
01.2245 |
oil on canvas |
 |
Portfolio Title: Estampas del Popol-Vuh |
Carlos Mérida, Talleres Graficos de la Nacion, Graphic Art Publications |
Guatemalan |
17.6.4 |
lithograph on paper |
 |
Hiawatha and the Serpents |
Thomas Moran |
American |
02.908 |
graphite and wash on paper |
 |
Meat's Not Meat 'Till it’s in the Pan |
Charles Marion Russell |
American |
01.2244 |
oil on canvas on board |
 |
Westward the Course of Empire Takes Its Way |
Emanuel Gottlieb Leutze |
German |
01.1615 |
oil on canvas |
 |
Sundown All Saints Day |
Morris Rippel |
American |
02.1730 |
tempera |
 |
Print C: Morning |
Thomas Moran |
American |
14.449c |
printing ink on paper |
 |
Taos in Winter II |
Gene Kloss |
American |
14.866 |
etching, drypoint and aquatint on wove paper |
 |
Sunrise |
William Robinson Leigh |
American |
01.103 |
oil on canvas board |
 |
The Head Man |
Charles Marion Russell |
American |
01.1619 |
oil on canvas |
 |
Sunrise at Polacca, Arizona |
William Robinson Leigh |
American |
01.634 |
oil on canvas board |
 |
Salute of the Robe Trade |
Charles Marion Russell |
American |
01.1625 |
oil on canvas |
 |
Morning in Aspen Forest - Near Taos, Hondo Canon |
Joseph Henry Sharp |
American |
01.320 |
oil on canvas |
 |
Red Jacket |
John Neagle |
American |
01.1211 |
oil on canvas |
 |
Turtle Dance at Sunrise |
Gene Kloss |
American |
14.294 |
etching and drypoint on paper |
 |
The Bell Mare |
Charles Marion Russell |
American |
01.2242 |
oil paint on beaver board |
 |
Watching for Wagons |
Charles Marion Russell |
American |
01.1620 |
oil on canvas |
 |
Father De Smet's First Meeting with the Flathead Indians |
Charles Marion Russell |
American |
01.1623 |
oil on canvas |
 |
Pay Dirt |
Charles Marion Russell |
American |
01.901 |
oil on canvas |
