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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

1905 | gelatin silver process

Photograph of Thomas Moran's artwork, Santa Marie and Ducal Palace

mid-19th century - mid-20th century | gelatin silver process on paper

Photograph of Thomas Moran's painting of a landscape

Saturday, November 12, 1910 | ink and pencil on paper

Menu from the Artists’ Souvenir Dinner with the autographs of Thomas Moran and others on the back

late 19th century - mid-20th century | gelatin silver process

Photograph of Thomas Moran's painting, Green River, Wyoming

1881 | printing ink on paper

Print E: A City Farm, New York

1885 | printing ink on paper

Print B: The Edge of Georgica Pond

1887 | printing ink on paper

Print D: Point Isabel, Florida

1881 | printing ink on paper

Print C: Near the Beach, East Hampton

1880 | printing ink on paper

Print A: Solitude

1879 | printing ink on paper

Print B: Newark, N.J. from the Passaic

1881 | brown printing ink on paper

Print A: The Passaic Meadows

1881 | printing ink on paper

Print D: Evening, East Hampton, L.I.

May 20, 1919 | ink on paper

Handwritten 1 page letter from Henry B. Shaw, of Burlington, Vermont, to Thomas Moran regarding the value of a painting "Cliffs of the Upper Colorado"

1867 | gelatin silver process

Photograph of Thomas Moran's painting "Winter in the Rockies"

1888 | printing ink on paper

Print B: The Haunted House, East Hampton

August 6, 1873 | graphite on paper

Sketchbook 1873: Cedar Lake

July 11, 1873 | graphite on paper

Sketchbook late 19th century: Mauch Chunk

late 19th century | graphite on paper

Sketchbook late 19th century: Bridges & Buildings

July 13, 1910 | graphite on paper

Sketchbook 1910 - 1912: Trossachs

1883 | pencil on paper

Thomas Moran's diary from his 1883 trip to Mexico