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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

1899 | gelatin silver process

Photograph of Thomas Moran's painting Cliffs of Green River WY.

1903 | gelatin silver process

Photograph of Thomas Moran's painting, The Cliffs of Green River-Wyoming

1884 | brown printing ink on paper

Print B: Looking Seaward, Long Lane, East Hampton

1887 | printing ink on paper mounted to wood core board

Print D: The Borders of Lake Isabel - Florida

1886 | brown printing ink on paper

Print A: Landscape after Diaz

1880 | brown printing ink on paper

Print B: An Old Homestead, East Hampton, L.I.

1879 | printing ink on paper

Print C: East Hampton Barrens

1881 | printing ink on paper

Print C: In the Sandhills

1881 | printing ink on paper

Print E: Scrub Oaks, L.I.

1884 | printing ink on paper

Print C: The Montauk Hills, L.I.

February 22, 1926 | ink on paper

3 page handwritten letter from H. F. Hansen, Savonburg, Kansas, expressing his admiration to Thomas Moran

late 19th century - mid-20th century | gelatin silver process

Photograph of Thomas Moran's painting "Hiawatha"

1881 | printing ink on paper

Print A: Arched Stone Bridge over the Bushkill

late 19th century | graphite on paper

Mt. Parnassus

October 12, 1869 | graphite on paper

Sketchbook late 19th century: Trees & Building

1874 | printing ink on paper

Storm in Utah

1907 | white gouache and pencil on newsprint

A Maiden Lane Dealer Weighing a Shipment of Diamond - Metamorphosis

1879 - 1918 | ink and pencil on paper

20 page typed transcription of an inventory of Thomas Moran's paintings in his possession 1899-1918 with original edits by Ruth Bedford Moran and later edits by Anne Morand

late-19th century - early 20th century | ink on paperboard, heightened with white gouache

Soda Spring Dome

1880 | graphite on paper

Sketch after A. Flamm