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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

1886 | printing ink on paper

Print B: 'The Much Resounding Sea'

May 7, 1886 | graphite on paper

Sketchbook 1886 - 1888: St. Michael in Campo Santo

April 28, 1903 | graphite on paper

Sketchbook 1903 - 1904: Ruin at Cuernavaca, Mexico

1887 | copper

Copper plate for 'A Florida Forest'

1886 | printing ink on paper

Print P: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1888 | brown printing ink on paper

Print E: The Gate of Venice

1886 | printing ink on paper

Print C: 'The Much Resounding Sea'

1886 | graphite on paper

Sketchbook 1886 - 1888: Tile Roof

1903 | graphite on paper

Sketchbook 1903 - 1904: Baranca, Cuernavaca

1887 | copper

Copper plate for 'Point Isabel, Florida'

1887 | printing ink on paper

Print B: Under the Oaks, Georgica Pond

1907 | printing ink on paper

King Arthur's Castle, Cornwall

1886 | printing ink on paper

Print E: 'The Much Resounding Sea'

1886 - 1888 | graphite on paper

Sketchbook 1886 - 1888: Leatherwood

1903 | graphite on paper

Sketchbook 1903 - 1904: Cortés Palace

1884 | copper

Copper plate for 'Looking Seaward, Long Lane, East Hampton'

1887 | printing ink on paper

Print C: Under the Oaks, Georgica Pond

etching

The Castle of San Juan de Ulúa, Veracruz

1886 | printing ink on paper

Print F: 'The Much Resounding Sea'

1888 | graphite on paper

Sketchbook 1886 - 1888: Long Island