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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

late 19th century | printing ink on paper

Herding Cows

1883 | copper

Copper plate for 'Gardiner Bay'

1888 | graphite on paper

Sketchbook 1886 - 1888: Long Island

1904 | graphite on paper

Sketchbook 1903 - 1904: Moonlight, Grand Canyon

mid-19th century - early 20th century | oil on board

Untitled Landscape

1886 | printing ink on paper

Print J: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1887 | copper

Copper plate for 'The Borders of Lake Isabel - Florida'

1885 | copper

Copper plate for 'Niagara - From the Canadian Side'

1888 | graphite on wove paper

Sketchbook 1886 - 1888: Three Mile Harbor

1904 | graphite on paper

Sketchbook 1903 - 1904: Grand Canyon

1881 | etching

Gardiner's Bay L.I., Seen from Fresh Pond (1881)

1886 | printing ink on paper

Print L: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1888 | printing ink on paper

Print A: The Gate of Venice

1887 | printing ink on paper

Print E: Venice after Bunner

1888 | graphite on wove paper

Sketchbook 1886 - 1888: Long Island

1904 | graphite on paper

Sketchbook 1903 - 1904: Grand Canyon

1881 | etching

Gardiner's Bay L.I., Seen from Fresh Pond

1886 | printing ink on paper

Print M: Where through the Willows Creaking Loud, Is Heard the Busy Mill

1888 | brown printing ink on paper

Print B: The Gate of Venice

1887 | brown printing ink on paper

Print G: Venice after Bunner