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Tags: water

Image Title Creator Culture Accession # Materials/Techniques
Wissahickon Thomas Moran American 13.606 lithographic crayon on paper
Sawkill Falls Thomas Moran American 13.555 graphite on paper
Fiesta at Cuernavaca Thomas Moran American 01.1110 oil on canvas
Seascape Thomas Moran American 01.2341 oil on canvas
Kettle drum wrapped in hide Unidentified Native American; Osage (user) 63.678 hide, brass
Sketchbook 1886 - 1888: Venice Thomas Moran American 18.17.13 graphite on paper
Gardiner's Bay L.I., Seen from Fresh Pond (1881) Mary Nimmo Moran, New York Etching Club American 17.3a.13 etching
Print H: Where through the Willows Creaking Loud, Is Heard the Busy Mill Mary Nimmo Moran American 14.117h printing ink on paper
Print G: Venice after Bunner Thomas Moran, Andrew Fisher Bunner American 14.443g brown printing ink on paper
Sketchbook 1886 - 1888: Venice Thomas Moran American 18.17.14 graphite on paper
The Castle of San Juan de Ulúa, Veracruz Thomas Moran, New York Etching Club American 17.3a.11 etching
Print I: Where through the Willows Creaking Loud, Is Heard the Busy Mill Mary Nimmo Moran American 14.117i printing ink on paper
Print A: 'The Much Resounding Sea' Thomas Moran American 14.448a printing ink on paper
Print B: 'The Much Resounding Sea' Thomas Moran American 14.448b printing ink on paper
Sketchbook 1886 - 1888: Three Mile Harbor Thomas Moran American 18.17.19 graphite on wove paper
The Castle of San Juan de Ulúa, Veracruz Thomas Moran, New York Etching Club American 17.3b.11 etching
Print J: Where through the Willows Creaking Loud, Is Heard the Busy Mill Mary Nimmo Moran American 14.117j printing ink on paper
Print C: 'The Much Resounding Sea' Thomas Moran American 14.448c printing ink on paper
Sketchbook 1886 - 1888: Long Island Thomas Moran American 18.17.20 graphite on wove paper
Gardiner's Bay L.I., Seen from Fresh Pond Mary Nimmo Moran, New York Etching Club American 17.3b.13 etching