 |
Print D: A Florida Forest |
Mary Nimmo Moran |
American |
14.113d |
printing ink on paper |
 |
Southampton |
Thomas Moran |
American |
13.579 |
graphite on paper |
 |
Print C: Evening on the St. Johns River, Florida |
Mary Nimmo Moran |
American |
14.93c |
printing ink on paper |
 |
Photograph of Thomas Moran's painting Ducal Palace and Prison |
Unidentified |
American |
4316.5785 |
gelatin silver process |
 |
Photograph of Thomas Moran's artwork, Scene of Venice |
Unidentified |
American |
4317.5748 |
gelatin silver process |
 |
Print B: The Edge of the Forest |
Mary Nimmo Moran, Thomas Moran |
American |
14.119b |
printing ink on paper |
 |
Mountain Landscape with Bridge |
Thomas Moran |
American |
13.677 |
graphite on paper |
 |
Print H: Newark, N.J. from the Passaic |
Mary Nimmo Moran |
American |
14.76h |
printing ink on paper |
 |
Photograph of Thomas Moran's painting of a Long Island landscape |
Unidentified |
American |
4317.5655b |
gelatin silver process on paper |
 |
Sketchbook 1873: Slate Falls |
Mary Nimmo Moran |
American |
18.21.8 |
graphite on paper |
 |
Print C: Three Mile Harbor |
Mary Nimmo Moran |
American |
14.72c |
printing ink on paper |
 |
Venice. |
Thomas Moran |
American |
13.976 |
graphite on paper |
 |
Print B: On the Newark Meadows |
Mary Nimmo Moran |
American |
14.77b |
printing ink on paper |
 |
Two photographs of Thomas Moran's oil painting "The Stronghold" |
Unidentified |
American |
4317.5741 |
gelatin silver process |
 |
Sketchbook late 19th century: Duffer No. 2 (Tree & Fence) Duffer No. 1 (2 Trees) |
Mary Nimmo Moran |
American |
18.6.31 |
graphite, wash and white chalk on paper |
 |
Print E: Evening, East Hampton, L.I. |
Mary Nimmo Moran |
American |
14.82e |
printing ink on paper |
 |
Print B: Hook Pond, East Hampton |
Mary Nimmo Moran |
American |
14.109b |
printing ink on paper |
 |
Thomas Moran's painting "Columbus Approaching San Salvador" |
Unidentified |
American |
4317.5794 |
gelatin silver process |
 |
Rocky Mountain Lake |
Thomas Moran |
American |
13.1024 |
graphite on paper |
 |
The Chin Chan above Its Juncture with the Rimac |
Thomas Moran, J. Augustus Bogert |
American |
15.405 |
printing ink on paper |
