 |
Indians & Covered Wagon |
Willard Stone |
Native American; Cherokee descent |
13.352 |
colored pencil and graphite on paper |
 |
The Carriage Driver |
Earl Biss Jr. |
Native American; Apsáalooke (Crow), Ojibwe |
13.3939 |
ballpoint pen on paper |
 |
Emigrant |
Olaf Carl Seltzer |
American |
02.1292a-b |
watercolor on paper; matboard |
 |
Welcome strangers |
Charles Banks Wilson |
American |
13.2161 |
ink and pen on paper |
 |
The Chuck Wagon |
Olaf Carl Seltzer |
American |
01.873 |
oil on canvas |
 |
Wagon and Man |
Thomas Moran |
American |
14.655 |
printing ink and watercolor on paper |
 |
APR '55 |
Bobby C. Martin |
Native American; Muscogee (Creek) |
01.2503 |
mixed media on canvas |
 |
Side of Wagon |
Unidentified |
American |
TU2009.39.270.7 |
gelatin silver process |
 |
Reproduction of an illustrated letter from Charles M. Russell |
Charles Marion Russell |
American |
TU2009.39.4655.1-2 |
paper |
 |
Locomotive Wheels |
Unidentified |
American |
TU2009.39.7649.283 |
gelatin silver process |
 |
Blest is He Who Cheerfully Gives' |
Charles Marion Russell, Unidentified, Homer E. Britzman |
American |
TU2009.39.7998 |
paper |
 |
African American Man in a Wagon |
|
|
4317.3461 |
|
 |
Wheels and Parts |
Charles Marion Russell |
American |
TU2009.39.810.1-2 |
pen and graphite on paper |
 |
Why the Mail Was Late |
Oscar Edmund Berninghaus |
American |
01.521 |
oil on canvas |
 |
The Swing Station at Box Elder |
Olaf Carl Seltzer |
American |
01.829 |
oil on board |
 |
Resourceful |
Merritt Thomas Mauzey |
American |
14.40 |
lithograph on paper |
 |
The Last Stage Coach |
Frank Tenney Johnson |
American |
02.1328 |
watercolor on paper |
 |
Nugent's Homestead |
Merritt Thomas Mauzey |
American |
14.61 |
lithograph on paper |
 |
Taos Plaza |
Walter Ufer |
American |
01.550 |
oil on canvas |
 |
Chore Time |
Mae Allyn Christie |
American |
14.161 |
linocut on paper |
