 |
Watching the Breakers |
Winslow Homer |
American |
01.2264 |
oil on canvas |
 |
101 Grand Entree Parade |
Jerry and Ruth Murphey, Unidentified |
American |
16.953 |
|
 |
Summer on the Susquehanna |
Thomas Moran |
American |
01.2335 |
oil on canvas |
 |
Pueblo of Acoma, New Mexico |
Thomas Moran |
American |
01.2302 |
oil on canvas |
 |
Game of Chance |
John Mix Stanley |
American |
01.1137 |
oil on canvas |
 |
Hills of Lyme |
Guy Carleton Wiggins |
American |
01.569 |
oil on canvas |
 |
Venice: Reminiscence of Veracruz, Mexico |
Thomas Moran |
American |
01.2447 |
oil on canvas |
 |
Cortés Tower, Mexico |
Thomas Moran |
American |
01.2346 |
oil on canvas |
 |
Oklahoma Melody |
Charles Banks Wilson |
American |
01.1466 |
egg tempera on panel |
 |
John T. Adair, W.D. Ross, et. al. |
|
Native American; Cherokee |
4326.3695a |
|
 |
Joshua Ross and Fuss Harjo |
|
Native American; Muscogee (Creek) |
4326.3929 |
|
 |
Vaqueros in a Horse Corral |
James Walker |
American |
01.1480 |
oil on canvas |
 |
Flute Dancer (or Player) |
Woodrow Wilson Crumbo |
Native American; Citizen Potawatomi |
02.485 |
airbrush and tempera on paper |
 |
The Hot Springs of Gardiner's River, Extinct Geyser Crater |
Thomas Moran |
American |
02.1360 |
watercolor on paper |
 |
Iowa Gulch, Colorado |
Thomas Moran |
American |
02.892 |
watercolor and graphite with white gouache on paper |
 |
Woman's beaded moccasins with geometric designs and interior parfleche soles |
Unidentified, Emil William Lenders |
Native American; Cheyenne |
84.400a-b |
semi-tanned hide, rawhide with hair, glass, sinew (pigment from a previous use of rawhide not part of the mocassin design) |
 |
Eagle Dancer |
Woodrow Wilson Crumbo |
Native American; Citizen Potawatomi |
02.584 |
tempera on paper |
 |
Resting |
Frank Reaugh |
American |
13.1282 |
pastel on paper |
 |
La Anunciación del Nahual |
José Chávez Morado |
Mexican |
01.2021 |
oil on canvas |
 |
Dark brown woven lariat with a light brown leather strap |
|
American |
TU2009.39.133 |
rawhide, leather |
