 |
Gid Granger |
Charles Banks Wilson |
American |
13.2148 |
ink and pen on paper |
 |
The Order of Good Cheer |
Charles Banks Wilson |
American |
13.2196 |
ink and pen on paper |
 |
Oscanya, Indian Territory |
Vincent Colyer |
American |
02.1377 |
watercolor on paper |
 |
Sketch for: Trapper's Bride |
Charles Banks Wilson |
American |
02.1761 |
ink, pen, and wash on wove paper |
 |
Eben Pushes Off |
Charles Banks Wilson |
American |
13.2151 |
ink and pen on paper |
 |
Trading Post |
Charles Banks Wilson |
American |
13.2171 |
ink and pen on paper |
 |
On Course |
Charles Banks Wilson |
American |
13.2200 |
ink and pen on paper |
 |
Indian Family |
Hau Kei |
Native American |
02.546 |
watercolor on matboard |
 |
Wickeup of a Mexican Kickapoo brave, We-con-nah-pit, Sac and Fox Agency, I.T. |
Unidentified |
Native American, Kickapoo |
4327.3990a-b |
|
 |
Site of Sequoyah's log cabin memorial, with Grant Foreman |
Unidentified |
Native American, Cherokee |
4327.6286 |
gelatin silver process |
 |
The Scissors Grinder |
George Henry Story |
American |
01.2248 |
oil on panel |
 |
Nugent's Homestead |
Merritt Thomas Mauzey |
American |
14.61 |
lithograph on paper |
 |
La Anunciación del Nahual |
José Chávez Morado |
Mexican |
01.2021 |
oil on canvas |
 |
Man Standing in Doorway |
Unidentified |
American |
TU2009.39.7398 |
gelatin silver process |
 |
Afterglow over Zuni River |
William Robinson Leigh |
American |
01.629 |
oil on canvas board |
 |
Photograph of Thomas Gilcrease in Front of his House |
|
|
4327.9238 |
|
 |
Taos Garden- Phillips Patio |
Bert Geer Phillips |
American |
01.529 |
oil on wood panel |
 |
Fort Arbuckle, Indian Territory |
Vincent Colyer |
American |
02.1379 |
watercolor on paper |
 |
Pueblo Craftsmen, Palace of the Governor Santa Fe |
Pablita Velarde |
Native American; Santa Clara Pueblo |
02.565 |
tempera on paper |
