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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

1881 | printing ink on paper

Print I: Study of Scrub Oaks, Amagansett

1884 | printing ink on paper

Print G: The Montauk Hills, L.I.

1864 | gelatin silver process, photo paper on board

Photograph of Thomas Moran's artwork "Shores of Lake Superior"

October 10, 1923 | pencil on paper

3 page handwritten letter from Mrs. S. J. Morgan, of Winfield, West Virginia, to Thomas Moran regarding any possible paintings or prints for sale

1873 | graphite on tracing paper

Sketchbook 1873: Bridge

late 19th century | graphite on paper

Sketchbook late 19th century: Trees & Water (2 Sketches)

1882 | graphite and white chalk on paper

Sketchbook late 19th century: Conwy Castle

1903 | graphite on paper

Sketchbook 1903 - 1904: Cloud Croft, Grand View

1916 | pencil on paper

Letter from Thomas Moran to the National Gallery of Art’s Curator William H. Holmes regarding the National Parks exhibition

May 1900 | ink and pencil on paper

Right handprint of Thomas Moran

late-19th century - early 20th century | graphite on paper

Cumberland

1880 | graphite on paper

Rocks

mid-19th century - early 20th century | graphite on paper

Sketch

mid-19th century - early 20th century | graphite on paper

Mogador

mid-19th century - early 20th century | graphite on paper

Storm Clouds

May 31, 1890 | graphite on paper

Pellestrina

mid-19th century - early 20th century | iron gall ink on paper

Landscape after Rembrandt

1875 | graphite on paper, heightened with white chalk

Bushkill Falls

1902 | graphite on paper

Cuernavaca

late-19th century - early 20th century | graphite on paper

A Street in Laguna