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Tags: Thomas and Mary Nimmo Moran artworks included in the Henry Luce Foundation 2020-2022 project

2262 Items

1910 - 1912 | graphite on paper

Sketchbook 1910 - 1912: Venice

1892 | printing ink on paper

Print D: Grand Canon of the Colorado River, Arizona

1884 | printing ink on paper

Print F: Swamp Grasses, East Hampton

1884 | brown printing ink on paper

Print B: Swamp Grasses, East Hampton

1883 | printing ink on paper

Print C: A Sassafras Grove, East Hampton

1881 | printing ink on paper

Print E: Mount Parnassus

1881 | printing ink on paper

Print D: The Goose Pond, East Hampton

1882 | printing ink on paper

Print F: Springtime, East Hampton

1887 | printing ink on paper

Print A: The Rose Walk - Villa Alexandria, Florida

1893 | gelatin silver process

Thomas Moran's artwork "Hot Springs, Yellowstone"

1905 | gelatin silver process

Photograph of Thomas Moran's artwork, In Venice

late 19th century - mid-20th century | pencil on paper

Ruth Moran's 6 pages of handwritten notes for a speech about Thomas Moran to be given at East Hampton, New York

1936 | ink on paper

Ruth Moran's 1 1/2-page typed comments accompanying her gift of Thomas Moran artworks to the National Parks

1870 | gelatin silver process

Photograph of Thomas Moran's artwork "West Laurel Hill Cemetery"

1891 | gelatin silver process

Photograph of Thomas Moran's artwork, Bridge and Tower of Torcello

late 19th century - mid-20th century | gelatin silver process

Photograph of Thomas Moran's painting Mexico

1904 | gelatin silver process

Two photographs of Thomas Moran's artwork "The Chasm of the Colorado"

1905 | gelatin silver process on paper

Photograph of Thomas Moran's artwork East Hampton Landscape

1912 | gelatin silver process

Thomas Moran's painting "Point Lobos, Monterey, California"

late 19th century - mid-20th century | gelatin silver process

Photograph of Thomas Moran's artwork, Venice